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MICHAEL J. OPPERMAN
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              Still Life with Passion


                  Each night now is a luminance rising against itself.
                  We look for our own contrast thrown aloft into a cloud
                              of mosquitoes, or wrapped in a damp sheet
                              angled across the bottom of the bed.

                  We struggle, fingers inside of each other, a fish is burning
                              in a pan next door
there is no stopping the change:
                              the charring scales, the melting of the flesh. Soon
                              the fish will be nothing but a ripe jelly coating the cast iron.

                  But/

                  we are still, our lust has left us, with our fingers hooked,
                                eyes sharp and searching. The breeze

                  catches a leaf of the geranium, and then nothing. Nothing.
                                Over and over.
                 


 

 

 

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Masthead

Contents

Poetry

L. N. Allen
Aaron Anstett
Dan Beachy-Quick
David Biespiel
Paula Bohince
Peter Campion
Naomi Feigelson Chase
Julia Cole
Jon Davis
Jonathan Fink
Philip Fried
Ellen Goldstein
Cynthia Huntington
Lesle Lewis
Timothy Liu
Clay Matthews
Steve Mueske
Crawdad Nelson
Michael J. Opperman
Elizabeth Percer
Robert Phillips
John Pursley III
F. Daniel Rzicznek
Ravi Shankar
Peter Jay Shippy
Katherine Soniat
Robert Stark
Jen Tynes
C. Dale Young

Reviews

MATTHEW SPERLING:
Simon Armitage's
The Shout &
Lavinia Greenlaw's
Minsk

ELIZABETH KENNEDY:
Jack Gilbert's
Refusing Heaven


KATHLEEN ROONEY:
Richard Siken's
Crush

MATTHEW SPERLING:
A.R. Ammons's
Bosh and Flapdoodle

MICHAEL C. LEONG:
Dean Young's
Elegy on Toy Piano

STEVEN D. SCHROEDER:
David Wagoner's
Good Morning and Good Night

Artwork

Layne Jackson
Eric Armusik

Contributors

 

© 2005 The New Hampshire Review. All rights reserved.