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CLAY MATTHEWS
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Red Sky at Night


An old maple in the middle of a fallow bean field,
the kind you feel sorry for, the kind you love
the way your mother loved that only tulip
that came up for her after planting twenty bulbs
in late September. The tree some old farmer
gave more sympathy to than that old Shepard
in the back of his beat-down blue pick-up, maybe
because he
d seen one in another field and felt
something like an archetype in his heart stand up,
crawl down from the tractor and start walking. Maybe
just to see something grow years on end.

We were on the back roads and seventeen.
A box of beer, a bottle of cheap wine in a brown
paper bag, skipping out on some honors banquet
at the high school cafeteria, Neil Young on the radio,
a storm moving in just as I
d prayed the night before
when I still believed in prayer for something to wash me away.

And the rain. The kind of rain you
d trade pneumonia for.
Driving hard through that darkness, until at last
we came to that tree hit by lightning, in flames, and it looked
like some enormous god had doused itself in gasoline,
lit a match and waited for its last memory to burn away.

Then us parking and crawling into a silo just up the road,
where we watched and smoked a joint and said Dude,
this is the most amazing thing we
ll ever see. And it was.
And it still is, sometimes, I think. But what a sad place to be.
Alone. Red embers from top to bottom. In the rain.
Swaying from the wind that sounded at that moment
like something broken-hearted and slowly burning.

 


Click to hear the author read this poem

 

 


 

 

Track and Field: The Metaphysic Invitational


Three oclock on a Sunday afternoon and the first time
I
d heard desperation in my fathers voice,

on the other end of a cell-phone, Come quick, he said.
Hurry. We found him at the back side of a hay field,

his truck stuck while lighting the edges to burn off
he
d backed himself into a corner. After pulling him out,

on the way home, he looked at the smoke barreling
into the sky. He looked at the setting sun. Boy, he said,

one thing I can tell you, if youre ever in the same situation, run.

*

Saturday at the river cabin, Id spent the morning with Jimmy
learning the intricacies of a Berretta nine millimeter.

Jimmy talked about what itd take to put one in somebody.
And about how the last deer he
d killed seemed to blink,

right before it died, and after it opened its eyes again
Jimmy said he saw this whole other level, or like thousands

of levels, like hed witnessed this great oversoul beyond
what he once knew to be just an animal. It
d be tough, he said.

But if a mans between me and my wife and my boy,
forget that other stuff. You ain
t got time to think.

*

I was having my weekly dose of cheeseburger
at some hole in the wall on the edge of town.

Holly, the waitress, was talking about some fellow
south of here, who was working on the combine
s auger

when his son came in and unknowingly started the motor.
What a mess, she said. What a shame.

I tried not to think about the meat in my burger,
and when I dipped my fries in the ketchup I closed my eyes.

Two booths over a big fellow in overhauls was rocking
back and forth, methodically sticking a fork in his arm.

As I passed him on my way to the restroom, I heard him mumble
over and over Don
t let the bastards grind you down.

*

Sometimes it feels theres something dark waiting for me
on the other side of walls, or in the trees I pass

when Im driving. I had a dream once I buried myself
at the edge of a field, and for three weeks

I never existed in the third person. I remember putting a stick
in the ground, and the feeling of standing over my own grave.

Such is often the case when Im walking, while something
crawls in tandem underneath. Like when you
re alone

and the whole house creaks. When something on the wall
falls down. The door that always opens for no reason.

Or when its late and youre under the streetlights,
and for no reason you take off in the deadest of dead sprints.

*

I was a pole-vaulter in high school and once my dad said
So what are you trying to jump your way

into heaven? I looked at my plate and stabbed a lone pea.
The fried chicken tasted like it once had a dream

of being a starling. At track practice, the poles were getting too small
for me, and so the coach, who was also my football coach,

sent me to the shed where under a few hurdles
I found the only pole we called by name, Big Bertha,

a blue monstrosity that could support telephone wires.
Full speed I ran into the pit. Full speed ahead. Three times

and three times the same. Bertha stood like a wall. I was not
allowed to pass, and on the way down to the asphalt,

from fifteen feet up, I remember watching a cloud
disappear, and a bird somewhere landing softly in a tree.

*

Early in the mornings my mother would watch videos
of some lady in a blue cat suit doing yoga.

The lady instructed thus: if you wrap your legs and arms
around your body enough, you will eventually

have the sensation of being held. My legs grew sore
when I played along. Once during a math test at school

I contemplated putting one leg behind my head for better
circulation. Mom had an oriental puzzle box she kept her best jewelry in.

She showed me how to open it once, and said Yoga
is much the same. It
s like trying to find the pattern

of movement that opens the thing hidden inside.

*

Were at some party and Jimmys walking around
with his Berretta in a holster. He shows me

the new radar sight, Illegal in this state, he says,
and points it up where a red light shoots into the sky,

To the moon, Alice, he laughs. Later that night, were alone
on a deck looking out across a lake.

Something large, like an alligator, but there are no alligators
here, swims by. Jimmy takes aim and fires.

I ask him what the hell that was and he doesnt know.
He just knows he saw the whites of its eyes.

*

In another dream the first five years of my life were played
in reverse order, they were the latest reality television

hit show. The series ended as I passed back into the hospital,
where a doctor with one abnormally long fingernail

carried me through swinging doors, roll credits.
The next day at the gym I noticed a man running backwards

on a treadmill. I thought once he gets where hes going
he
ll have already passed it on the way there.

He was watching a documentary about whales on the screens
above the equipment. When he finally climbed down

he stood still for a moment, and it was like hed forgotten
how exactly it was he once walked in a straight line.

*

Where will we go with this? A parable an old man told me
proceeds as follows: A young boy finds one end of rope

with a tin can on the end, to which he places his ear,
and from the other side three words are whispered.

For three days he follows the rope, through a patch of trees,
over a bridge, and across several open fields.

Eventually he gives up, and decides to go home,
where in his room still is the handmade phone.

He listens and in the distance he hears a mad laughter,
then throws the phone out the window. The end.

But where did the rope stop? I asked. To get there, he said,
you
d have to run three days and forever. The words,

I asked, what were the words? If I remember, he said,
they were as follows: Don
t. Come. Looking.

*

Another dream and I was running. I ran through the a white space
and then into color and then into a field on the edge

of two tree lines. At one side my father stood behind a wall
of flames. On the other my mother was stretching her arms

and eating bread. In the middle I found a stick in the ground,
and when I pulled it a tree grew from the ground, with my name

carved on its trunk inside a heart. The next day driving to work,
for exactly one moment I felt like crashing my car

into something, anything, a building or truck coming the other way.
But in the middle of this thought my foot hit the break,

I was at a light, I was stopped, I was waiting. A breeze was blowing
and I remembered what it felt like to have the windows down.

 

 

 

 

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Masthead

Contents

Poetry

L. N. Allen
Aaron Anstett
Dan Beachy-Quick
David Biespiel
Paula Bohince
Peter Campion
Naomi Feigelson Chase
Julia Cole
Jon Davis
Jonathan Fink
Philip Fried
Ellen Goldstein
Cynthia Huntington
Lesle Lewis
Timothy Liu
Clay Matthews
Steve Mueske
Crawdad Nelson
Michael J. Opperman
Elizabeth Percer
Robert Phillips
John Pursley III
F. Daniel Rzicznek
Ravi Shankar
Peter Jay Shippy
Katherine Soniat
Robert Stark
Jen Tynes
C. Dale Young

Reviews

MATTHEW SPERLING:
Simon Armitage's
The Shout &
Lavinia Greenlaw's
Minsk

ELIZABETH KENNEDY:
Jack Gilbert's
Refusing Heaven


KATHLEEN ROONEY:
Richard Siken's
Crush

MATTHEW SPERLING:
A.R. Ammons's
Bosh and Flapdoodle

MICHAEL C. LEONG:
Dean Young's
Elegy on Toy Piano

STEVEN D. SCHROEDER:
David Wagoner's
Good Morning and Good Night

Artwork

Layne Jackson
Eric Armusik

Contributors

 

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