|
ROBERT PHILLIPS
·······························
Expulsion
Etching by Lars Bo, 1962
(for Elinor and Jim)
Paradise: a Persian word meaning walled garden.
And this eastward-facing Edenic plot is fenced
in
like a rich mans compound. Whats the point
of the points on the fence? No ones out there to try
to climb in. Marble lions top posts like
bookends.
The garden is circular, overgrown with trees,
including the Tree of Knowledge, lifting limbs
in supplication. Somewhere the subtle serpent
lies.
Suddenly the wrought-iron gate swings open
between stone stanchions. From out of the
forest
soar myriad fowl, making their own expulsions
in formations like swallows, some large as
pelicans,
all ghostly white, as if already grieving their
loss.
In the far right-hand corner the beguiled
couple
exit. She faces the future, he looks back.
But after this, there is no looking back.
|