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JONATHAN FINK
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                 What Lies Ahead
                 

And then I am the boy again whos rowed
a metal boat to center of a pond,
his father and his brother gone, released 

into the reeds to find a stream, their rods,
like riding whips, raised high above their heads.
He has not brought a pole. Instead, he casts 

the stones that fill his pockets, one by one,
into the water
s murk. Some plunge below,
while others skim the surface of the pond  

like toes of bathers testing a descent.
I would not tell him, even if I could,
what lies ahead: the long expanse of dreams, 

then waking in the dark, his body spent.
That he is tethered and adrift at once
is all he knows of what will claim his will.

 


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Prayer
                 

How even as a boy I would not pray—
I
d stare between a strangers shoulder blades 

and tense the muscles of my jaw until
it formed a vice no words escaped. The voice 

a congregation made unhinged in me
a silence I had never known. It turned 

inside my chest the way I thought a child
would turn. My body offered no release, 

and when my ribs would spread, each fissure gave,
unheard, a cry no less or more my own.


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Contents

Poetry

L. N. Allen
Aaron Anstett
Dan Beachy-Quick
David Biespiel
Paula Bohince
Peter Campion
Naomi Feigelson Chase
Julia Cole
Jon Davis
Jonathan Fink
Philip Fried
Ellen Goldstein
Cynthia Huntington
Lesle Lewis
Timothy Liu
Clay Matthews
Steve Mueske
Crawdad Nelson
Michael J. Opperman
Elizabeth Percer
Robert Phillips
John Pursley III
F. Daniel Rzicznek
Ravi Shankar
Peter Jay Shippy
Katherine Soniat
Robert Stark
Jen Tynes
C. Dale Young

Reviews

MATTHEW SPERLING:
Simon Armitage's
The Shout &
Lavinia Greenlaw's
Minsk

ELIZABETH KENNEDY:
Jack Gilbert's
Refusing Heaven


KATHLEEN ROONEY:
Richard Siken's
Crush

MATTHEW SPERLING:
A.R. Ammons's
Bosh and Flapdoodle

MICHAEL C. LEONG:
Dean Young's
Elegy on Toy Piano

STEVEN D. SCHROEDER:
David Wagoner's
Good Morning and Good Night

Artwork

Layne Jackson
Eric Armusik

Contributors

 

 

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