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PETER CAMPION
····························

                
Protest
      

They showed us on the evening news. Our breath
was visible. So our chants appeared as mere impish
volleys of vapor firing as the camera panned.

But for those moments, believe me, we were beautiful animals.
Have you ever seen, in person, horses lined up and stamping?
We were ranked by the lucent snow banks, our bodies

bridling against the metal gates. We were a timed
explosion of sinew and snap. We became the jagged force
of our convictions: even if underneath the chants we knew

screaming for peace was a fatuous charade, the words
made palpable this feeling of a threshold: this sense that
something must come, some lever catch, some catch release.

*

There are the suppressed and detailed reports. There is
the voice of a captain telling of villagers he befriended.
How he returned to find them kneeling in a line.

How a sergeant from another unit opened fire
in the blank glee of killing. How his superior
held the captain back with his clipped, bureaucratic

no can do as the shots and the pleading ripped the air.
Those pages must lie in an archive now: those fibrous
spaces between the type collecting their meager glow.

*

The numbness that comes after the unavailing rage.
The denial spiraling down to dull forgetfulness.
And there
s no release. Only an hour ago when I

caught the outlined family faces in the frames
by the window.... How to explain? How wrench to words?
Outside, the lights of the freeways and the cranes by the water

seemed chained to some netted system that we all
were tangled in. And that system was the war.
My brother
s face on the mantle and my fathers mothers

portrait from fifty years ago: how tenuous
the links between us felt. But they were everything.
How tenuous my very flesh. My skin felt

wholly taken over by my pulse, and my pulse was
streaming so fast it seemed, if it were cut, the blood
would be impossible to scrub from the floorboards.

 


 

 

 

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Masthead

Contents

Poetry

L. N. Allen
Aaron Anstett
Dan Beachy-Quick
David Biespiel
Paula Bohince
Peter Campion
Naomi Feigelson Chase
Julia Cole
Jon Davis
Jonathan Fink
Philip Fried
Ellen Goldstein
Cynthia Huntington
Lesle Lewis
Timothy Liu
Clay Matthews
Steve Mueske
Crawdad Nelson
Michael J. Opperman
Elizabeth Percer
Robert Phillips
John Pursley III
F. Daniel Rzicznek
Ravi Shankar
Peter Jay Shippy
Katherine Soniat
Robert Stark
Jen Tynes
C. Dale Young

Reviews

MATTHEW SPERLING:
Simon Armitage's
The Shout &
Lavinia Greenlaw's
Minsk

ELIZABETH KENNEDY:
Jack Gilbert's
Refusing Heaven


KATHLEEN ROONEY:
Richard Siken's
Crush

MATTHEW SPERLING:
A.R. Ammons's
Bosh and Flapdoodle

MICHAEL C. LEONG:
Dean Young's
Elegy on Toy Piano

STEVEN D. SCHROEDER:
David Wagoner's
Good Morning and Good Night

Artwork

Layne Jackson
Eric Armusik

Contributors

 

© 2005 The New Hampshire Review. All rights reserved.